Hrasarkos (1975) - Flute violon et violoncelle

Hrasarkos (1975) - Flute violon et violoncelle
Acrílico sobre lienzo - Firmado a mano - 2020

Title: ‘Modèle nu assis dans le studio de l'artiste’

Artiste-Hrasarkos (1975)
Acrylic on canvas, no stretcher, no frame.
Size: 80 x 100 cm.
Signed, countersigned on the back.
Certificate of authenticity included.

A well-known artist-painter, "HRASARKOS" uses in his art a luminous chromatic range filled with joy with simple scenes of everyday life that he gleans thanks to his reflections that match his feelings.
The visual artist gives free rein to his sensibility and his fantasy; he shows a large freedom of expression.
His work shows an exceptional harmony where light and colour are paramount in the purpose of the painting. His gestures are reflected in a certain eloquence of forms and a perfectly ordered structural basis of an original stylistic intensity that we are not used to see in our region.
"HRASARKOS" seeks to translate on his canvas, passion, dream, warm, strong and dominant colours and often complementary that allow him to eloquently disclose his feelings and the very personal atmosphere of work both naïve and expressionist, with the magic that accompanies the privileged heavens of this expression.
Linear stripping, chromatic power, "HRASARKOS" has been able to purify the shapes by giving a perfect balance in the layout.
There is a dynamism in his touch that characterizes a resolutely modern work, with very typical reminiscences.
In fact, this artist has an ability to move both neophytes and art lovers.
If he articulates his creativity in everyday life around the timeless theme of the woman, to which he gives a certain visual lyricism in his languorous and opulent art that is necessarily filled with all his plastic scope for our greatest aesthetic happiness.

Detalles del lote
Hrasarkos (1975)
Título de la obra
Flute violon et violoncelle
Acrílico sobre lienzo
Firmado a mano
Como nuevo
Dimensiones de la imagen
80×100 cm
Dimensiones totales
80×100×1 cm
Vendido con marco
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